Recently I have spotted swings being hung from trees around the local area, the Forest of Dean. They have signs near them encouraging users to enjoy themselves, it appears to be a guerrilla-style action with no name. I love it.
Prior to their arrival, I too had developed a relationship with a swing next to the Severn, a few miles walk from home. As an artist and film-maker, I did more than swing on it. It became a place for a daily retreat from Covid19 – a bolthole. I wrote about it as being my new ‘crying place’, having witnessed the removal of my old one. That was a huge tree stump at the top of a hill which looked down over the bend in the Severn near Newnham. But that is no more.
The riverbank swing doesn’t provide big sky views and open vistas, it is very close to the water and offers a wonderful view of Garden Cliff and to see the sunset there at the end of a Covid-day is an indescribable delight to witness.
Over several weeks I visited and made films of the swing swinging, and from the swing swinging. With me, without me. I leant against the trunk of the oak tree it hung from and drew in its shade, often distracted by the dancing shadows of the branches above, and the bugs that came to check on the progress of the marks on my paper. I filmed the silhouettes of the leaves, then filmed myself drawing.
One day I went on a major mission to capture this unusual experience. Gathering all my ideas together, alongside a three-hundred-and-sixty-degree camera; a video recorder; an iPad with an animation app; a phone camera and three tripods; sketch pad and charcoals with a putty rubber and a heap of determination, I made a film.
Several days of editing, collaging and shaping ensued until I had a finished film. “As Above So Below” was the result.
It was the second significant film I’d made since the pandemic began – the other one “When You Call, I Will Come” documented the spring-tide Severn bore without any surfers.
I submitted them, somewhat nervously, to share them more widely. With galleries and venues closed I had to find a way to get them seen because they are so pandemic-influenced they are a record of this strange time.
I am still thrilled by the way people responded to them. Before “When You Call” was accepted for the EarthPhoto2020 exhibition, from over 3,000 applicants, it was viewed by 500+ YouTube viewers. EarthPhoto2020 is run by Royal Geographic Society and Forestry Commission and will tour to various venues.
This boosted my confidence, so I submitted “As Above, So Below” to Trinity Buoy Wharf Drawing Prize – a fantastic annual event that had over 4,000 applicants – and it was selected.
“When You Call” can be viewed online on the EarthPhoto2020 website and the exhibition for the drawing prize opens at Drawing Projects UK in Trowbridge, Wiltshire: 2 to 31 October 2020, then tours to Cooper Gallery at the University of Dundee, Trinity Buoy Wharf in London and The Gallery at Arts University Bournemouth.