The inspirational prompt from WTL team:
Our walk will again have as a focus ideas around ‘Place’ – this time, how we know, recognise and respond to it. It’s highly likely our concept of ‘place’ can be seen to be both fluid and deeply rooted. Below are quotes that go some way individuals try to explain that awareness:
“We lack – we need – a term for those places where one experiences a ‘transition’ from a known landscape … into ‘another world’: somewhere we feel and think significantly differently. They exist even in familiar landscapes: there when you cross a certain watershed, recline or snowline, or enter rain, storm or mist. Such moments are rites of passage that reconfigure local geographics, leaving known places outlandish or quickened, revealing continents within counties.”
Robert Macfarlane
“Place is always the first thing I connect with – rather than the music or the imagery – when I travel; I am always trying to understand what a place is, and what does it mean to the people that live here? What are its layers of history? How has it changed? How might it change?”
Julian Hoffman
We invite you to search your own thoughts on what goes to make a place special for you. Try to explain exactly what it may be about the place that influenced your response. This could be through any visual media, through sound or words…wherever it takes you.
Destination – Garden Cliff, Westbury on Severn Gloucestershire. Duration 2 hours
Circle Walking
changing my approach to Garden Cliff
led me to arrive from a different direction
to surprise myself
I passed a circle of trees I’d never noticed before
because when walking the other way I didn’t look left
I habitually turned right to see the huge oak tree
in the grounds of Westbury Gardens
further along I passed tree I knew well, in it’s hey day
I did my first circular walk around it
but it has fallen, rotting on the ground
pre-pandemic I rarely saw anyone at Garden Cliff
sometimes at sunset young couples in pairs may be spotted,
wrapped closely in each others arms, gazing
or elderly pairs in cars, staring,
parted by a gear stick and forty years
jackdaws mate for life
every morning I watch two pigeons
bobbing along the fence-top together
on my way I saw several families
I hoped to find quiet solitude at the beach under the cliff
to gaze, stare, draw, film and walk in circles

Pleased to find myself alone
I unpacked materials and equipment
taking care not to let things fall into the mud
I set up my camera but, just as I was about to shoot
two children clambered over the rocks shouting
they too had arrived to have an adventure
I carried on, hoping that my strange behaviour might scare them away
send them running home to their parents
and tell them there was a mad woman walking in circles
their parents would think they were making it up
So I carried on, recording the sounds of loud splashes
when they hurled rocks into the river
I took photos and prepared to take mud prints
when a familiar creature came bounding onto the beach
Django, a friend’s dog, followed by her, her Dad and two kids
operations were abandoned
The place transformed from one of solitude
to a social space, it was good to see them
two more people came into view
waving – to me, to Sarah? Her Dad?
I waved back to Eleanor and Russell, some friends from Dorset!
change allows for the unexpected to happen
the beach had transitioned
from uninhabited to occupied
had it had been a car park, the sign would flash FULL
My Walking the Land mission
was complete
the place I know so well, had become unrecognisable
an enjoyable interlude
from solitude
with people that share my love
of the Severn
Post walk notes……
The morning of the Walking the Land event, I had given a talk for art.earth about my practice In which I had referred to transitioning from 180 degree drawings to 360 degree filming.
I remember my degree thesis was about circles
My final work for my MA included a mirror tunnel that transformed film footage into a big globe
When I drive places I like to go in one direction and return in another
The weekend after the walk, I participated in a Drawing Breath workshop
We blew bubbles with ink onto paper

I’ve recently been making circular monoprints

Meditation breathing is circular, as are the tides
We also drew from memory, then erased, and re-drew, repeatedly, without having the object in view
I’ve been blowing bubbles on printing blocks
And drawing a large circular work
Round and round we go
I love the pairs and circles and those 360 degree circle walks are amazing. Going the ‘wrong’ way round seemed to invite others into your usually solitary space.
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yes, that is an interesting interpretation. I am not someone of habit usually, love travelling to a place on one road and returning by another. I feel that the changes that the pandemic is enforcing is a good way to take the opportunity to recalibrate life
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Is to circle to pause, to look again, to look around?
I love in this circular walk the sound of the boys and saying ‘it is not aloud’ as if you are doing something that doesn’t conform to the normal. The form and colours, make me think of a tea or coffee cup.. Stirring.. Pondering… Pausing… Again and again.. ?
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It makes the camera less aggressive to me, it is static, I am active. It isn’t tracking me, I am performing for it. I think the older child was telling the younger it wasn’t allowed to throw stones. No parents were in sight but may have been watching behind the wall!
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